New Narratives: Papunya Tjupi Prints with Cicada Press


Isobel Gorey Nambajimba, Kapi Tjukurpa (Water Dreaming) at Watulpunyu, 2014. Image courtesy of Cicada Press.
January 20 – May 17, 2015
This selection of fourteen prints are the result of an eight year partnership between Papunya Tjupi, an art center in a remote desert community, and Cicada Press, a print workshop at the University of New South Wales Art & Design in Sydney. Papunya is a community of particular importance in Australia, best known as the birthplace of the contemporary Western Desert art movement, which launched Aboriginal art into the international art world in the 1970s and 80s. The artists featured in New Narratives are the descendants of the founders of this movement. The partnership between Papunya Tjupi and Cicada Press marks the addition of the new medium of printmaking into Papunya’s art history. The medium may have changed, but the reasons for making art have not. One of the artists, Tilau Nangala, paints “so the children can watch me paint and learn, so I can pass on my Dreaming and stories to my grandchildren.” Papunya Tjupi art center continues to be a conduit for the expertise and experience of internationally renowned senior artists to be passed onto the next generation, who make up the current group of over 100 artists, many of whom have never painted before.

Art and Country

Alma Nungarrayi Granites, NAPALJARRI-WARNU JUKURRPA (SEVEN SISTERS DREAMING), 2011. © 2014 Artists rights society (ARS), New York/viscopy, Australia.
May 30 – Summer 2015
Art and Country is a diverse selection of thirty-four works on canvas, paper and eucalyptus bark drawn from the Kluge-Ruhe’s permanent collection. The exhibition explores the range of ways in which Aboriginal and Torres Strait Islander artists develop and maintain relationships with “country,” their homeland. Many artists represent features of the landscape to communicate their ongoing connection to their ancestral land and the Dreaming. Other artists raise awareness about the dispossession of country as a result of colonization or investigate the importance of story and personal memory. Throughout the exhibition visitors are invited to reflect upon their own connections to land and place.

Kluge-Ruhe on Grounds

Ongoing
On view in the lobby of the Fralin Museum of Art are acrylic paintings by Mick Namarari Tjapaltjarri, William Sandy, and England Banggala. A selection of seventeen objects, including sculpture, bark paintings and musical instruments are on display in the Fralin’s Object Study Gallery on the second floor.