Lifelines. Indigenous Contemporary Art from Australia
October 21, 2015 – September 5, 2016
Lifelines abounds in life and color, its close to 100 works specially selected by guest curator Professor Françoise Dussart of the University of Connecticut. The exhibition features three thematic zones for the key moments along the way: “Lands of Dreams,” “Lands of Knowledge,” and “Lands of Power.”
Lifelines gives us the creation of the world as seen by the indigenous peoples of Australia and expresses their constant dialogue with all that surrounds them. It opens a vital window on the eternal and contemporary concerns of the Australian continent’s first human occupants.
A Musée de la civilisation production in collaboration with the University of Virginia’s Kluge-Ruhe Aboriginal Art Collection.
No Boundaries: Aboriginal Australian Contemporary Abstract Painting
January 18 – May 15, 2016
No Boundaries presents the work of nine trailblazing artists who were inspired by their ancient cultural traditions to forge one of the most dynamic painting movements of recent times. The exhibition will be comprised of more than 75 paintings produced between 1992 and 2012.
Created at the frontier where Indigenous and Western cultures meet, these paintings speak across cultures, a reminder that contemporary art comes from all corners of the globe. This exhibition offers the very first opportunity for U.S. audiences to view these artists’ works in depth, featuring a stunning selection from each period in their careers. Although rarely seen in the U.S., these artists stand at the vanguard of global contemporary art practice.
Yimardoowarra: Artist of the River
January 27 – April 26, 2016
Yimardoowarra: Artist of the River features the paintings of Loongkoonan, an elder of the Nyikina people of northwestern Australia. Loongkoonan began painting in 2004, aged in her mid-90s. She is an important matriarch in the Nyikina community, and is revered as a custodian of language, culture and Law. Her shimmering depictions of “bush tucker” have been exhibited throughout Australia including the Telstra National Aboriginal and Torres Strait Islander Art Awards, the Wynne Prize, the Blake Prize, and 2016 Adelaide Biennial. Yimardoowarra: Artist of the River, curated by Henry F. Skerritt, is the first comprehensive survey of this extraordinary artist, featuring works from each stage of her remarkable career.
Kluge-Ruhe Aboriginal Art Collection, Charlottesville, VA
May 13 – August 21, 2016
Everywhen: The Eternal Present in Indigenous Art From Australia
February 5 – September 18, 2016
Everywhen: The Eternal Present in Indigenous Art from Australia surveys contemporary Indigenous art from Australia, exploring the ways in which time is embedded within Indigenous artistic, social, historical, and philosophical life. For Indigenous people, the past is understood to be part of a cyclical and circular order known as the everywhen; conceptions of time rely on active encounters with both the ancestral and natural worlds. While the exhibition focuses on the last 40 years of Indigenous art, it also includes historical objects from the rich collections of Harvard University’s Peabody Museum of Archaeology and Ethnology to underscore both the continuity of cultural practice and remarkable adaptive innovations.
The exhibition showcases more than 70 works drawn from public and private collections in Australia and the United States, and features many works that have never been seen outside Australia.
Jimmy Pompey ‘Cowboy Story’ & Recent Paintings from Iwantja Arts
March 10 – May 31, 2016
Harvey Art Projects USA in conjunction with Iwantja Arts of South Australia is proud to present cowboy paintings by dynamic painter, country music identity, and retired stockman, Jimmy Pompey.
Iwantja Community is located on the eastern side of the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands. The Community sits on a small ridge at the edge of the Indulkana Ranges. This is a place on Iwantja Creek where Tjurki, the owl, rested on his Dreamtime travels. The community grew up on an exposed ridge overlooking the creek, part of an excision of land from Granite Downs cattle station.
This exhibition also highlights recent works by senior Iwantja artists.
Booker-Lowe Gallery, Houston, TX
Founded in 2002, Booker-Lowe is one of a handful of American art galleries showcasing Australia’s internationally-acclaimed indigenous art. The gallery offers its individual clients, interior designers and architects, corporations and institutions, quality original artworks, whether for the living room or the board room.
Harvey Art Projects, USA, Ketchum, ID
Based in Sun Valley, Idaho and presenting events in New York, Los Angeles, & San Francisco, Harvey Art Projects is an organization dedicated to developing cultural awareness, understanding and appreciation of the finest Aboriginal Art in America through regular exhibitions and satellite events. Founder Julie Harvey is an arts professional with over twenty years of experience in Australia an the United States. As a specialist in Aboriginal art, Harvey is also the Head Curator of the San Francisco based Stephen J. Luczo Collection of Contemporary Aboriginal Art.
Pollon Art, New York, NY
Pollon Art was founded as a means to bridge the gap between North American collectors and the Australian Aboriginal and Torres Strait Islander art market. Pollon Art offers clients intimate knowledge and experience in these fields, gathered through extensive professional experience in both the primary and secondary art markets. Founder, Miriam Grundy, brings to the US art market a fresh and highly intuitive approach to collecting Aboriginal art, matching the values and identity of the client, collection or space with artworks and artists that reflect these. The Pollon Art experience is underscored by the belief that genuine relationships, and collaborative and informed decision-making brings the best results. Based in New York City and Beverly Hills, Pollon Art provides tailored advisory services to private clients, as well as curated public exhibitions from some of the most compelling artists, past and present.
The Kelton Foundation
Founded in 1983, the Kelton Foundation promotes the stewardship, enhancement and understanding of art, maritime history and man’s relationship with the sea through its collections of maritime art, navigational instruments, China Trade art and objects, Pacific ethnographic materials, Australian Aboriginal art and other fine and ethnographic art related to these fields.